He makes sure that the character of Venu is given the right dose of emotions and histrionics to make him look convincible. Mammootty has carried the whole film on his shoulders with his impeccable perfection in acting.
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As Ranjith said before, the USP of the movie is definitely the performance by the actors and the casting of the movie requires a special mention. The makers have made a conscious effort to convey the desired message and concept through some light-hearted dialogues and satirical situations. After a point of time, the film raises itself as a reflection of the society by an average Malayalee and his concerns of leading a life.
The director must be applauded for exploring the possibilities of human life and psyche. The film then portrays Venu's struggle to come in terms with things around him and how he copes to move ahead in his life amidst his complex thoughts and composite society he lives in. But one incident changes his attitude towards life. The egoistic father in him expects only the best from his son. His only son is the apple of his eye and has huge expectations over him. Venu in a way is blind to others around him other than his family. The husband and wife keep fighting, but they have a common dream for their son: that he should become a doctor. She wants her son to be good in everything that her neighbour's son does. His wife Nandini (Asha Sarath) shares similar characteristics. He is a cocky businessman for whom the line between right and wrong is blurred. The company is in the name of his teenage son Anand (Prajwal Prasad).
Venu (Mammootty) runs a small finance and gold loan company, which is called a blade bank in local parlance. Instead, the director takes you through heart-warming moments of emotions. It neither has soap opera moments nor vivid dance and music. The film is definitely a family drama, but not an entertainer that puts you through a lot of twists or turns.
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